{"id":147806,"date":"2025-06-11T06:00:00","date_gmt":"2025-06-11T13:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=147806"},"modified":"2025-06-11T10:19:59","modified_gmt":"2025-06-11T17:19:59","slug":"meet-the-acoustic-guitar-teaching-artists","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/meet-the-acoustic-guitar-teaching-artists\/","title":{"rendered":"Isa Burke, Lisa Liu, Mamie Minch, Sean McGowan, and Thu Tran Share Musical Insights in New Artist-Led Lesson Series"},"content":{"rendered":"\n<p>With online education now deeply woven into the fabric of music learning, today\u2019s guitar students have access to instruction that was once available primarily through conservatory programs or specialized workshops. But for all the polished tutorials and algorithm-friendly content circulating online, something essential often goes missing: the human touch. That\u2019s what makes <a href=\"https:\/\/acousticguitar.com\/acoustic-guitar-teaching-artists\/\" target=\"_blank\" rel=\"noreferrer noopener\">the new <em>Acoustic Guitar<\/em> Teaching Artists series<\/a>, hosted on <a href=\"https:\/\/www.patreon.com\/cw\/acousticguitarplus\" target=\"_blank\" rel=\"noreferrer noopener\">Patreon<\/a>, worth a closer look. The focus isn\u2019t only on technique\u2014what makes these lessons meaningful is the emphasis on connection, curiosity, and the kind of practical knowledge that comes from years of real-world playing and teaching.<\/p>\n\n\n\n<p>Each of the five artists in the series brings a distinct approach. Isa Burke draws from a life immersed in folk traditions, emphasizing ear training and rhythm guitar as gateways to fluency. <a href=\"https:\/\/lisaliuguitar.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lisa Liu<\/a>, whose background spans classical piano, punk, and jazz, teaches with precision and calm, guiding students toward thoughtful growth. <a href=\"https:\/\/www.mamieminch.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mamie Minch<\/a> shares her expertise in vintage blues and guitar repair with a direct, grounded teaching style. <a href=\"https:\/\/seanmcgowanguitar.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sean McGowan<\/a> offers a comprehensive method built on fundamentals that apply across genres. And <a href=\"https:\/\/www.thesingerandthesongwriter.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Thu Tran<\/a>, a self-taught player and songwriter, invites students to engage their intuition and take learning one step at a time.<\/p>\n\n\n\n<p>Together, these artists offer a wide view of what it means to learn guitar\u2014focused, exploratory, and always grounded in musical listening. In this feature, learn more about their backgrounds and teaching approaches, and sample their lesson offerings.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Musical Insights from the Acoustic Guitar Teaching Artists\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/q7VlDy1E4xk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\" style=\"margin-top:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60)\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"28\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&#038;ssl=1\" alt=\"\" class=\"wp-image-147815\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=500%2C14&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=768%2C21&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=300%2C8&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?w=1259&amp;ssl=1 1259w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Isa-Burke-1-photo-Louise-Bichan.jpg?resize=1024%2C683&#038;ssl=1\" alt=\"Isa Burke, Photo: Louise Bichan\" class=\"wp-image-147811\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Isa-Burke-1-photo-Louise-Bichan.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Isa-Burke-1-photo-Louise-Bichan.jpg?resize=500%2C333&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Isa-Burke-1-photo-Louise-Bichan.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Isa-Burke-1-photo-Louise-Bichan.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Isa-Burke-1-photo-Louise-Bichan.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Isa Burke, Photo: Louise Bichan<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Isa Burke<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Teaching the Ear to Lead the Hands<\/h3>\n\n\n\n<p>Raised in a musical household in southern Maine, Isa Burke (isaburke.com) was surrounded by instruments and encouragement from the start. Her parents, Susie Burke and David Surette (a longtime <em>AG<\/em> contributor), were both professional musicians and teachers, and their home was filled with sounds\u2014from folk songs to Broadway musicals to the Beatles. \u201cWe had a bunch of guitars and ukuleles around the house,\u201d she recalls. \u201cWe were always encouraged to just pick them up and mess around.\u201d<\/p>\n\n\n\n<p>Burke was a founder of the indie folk trio <a href=\"https:\/\/amzn.to\/3HCwnU8\" target=\"_blank\" rel=\"noreferrer noopener\">Lula Wiles<\/a>, which released three albums on Smithsonian Folkways and toured internationally. An in-demand multi-instrumentalist, she has performed extensively with Aoife O\u2019Donovan, the Mountain Goats, Carsie Blanton, Darlingside, and many more.<\/p>\n\n\n\n<p>Now based in Durham, North Carolina, Burke draws on her background in traditional music to help students develop their listening skills and confidence. Her lessons emphasize rhythm guitar, chord shapes, and number systems\u2014tools that make it easier to connect and communicate with others. \u201cOne of my main goals is to give people the skills to play with others and learn by ear,\u201d she says. \u201cThat\u2019s what so many people actually want. It\u2019s not just about playing a solo; it\u2019s knowing what to do when you\u2019re at a jam.\u201d<\/p>\n\n\n\n<p>Burke\u2019s own learning was shaped by years of playing in sessions where music moved fast and notation wasn\u2019t an option. \u201cIn an old-time jam, you\u2019re learning a 32-bar fiddle tune as it\u2019s being played at full tempo,\u201d she says. \u201cThat kind of learning shapes how I teach\u2014by encouraging people to trust their ears and instincts.\u201d<\/p>\n\n\n\n<p>As such, Burke avoids heavy reliance on written materials, instead guiding students to understand how music works through functional harmony and scale degrees. \u201cIt\u2019s not about playing the fanciest thing,\u201d she says. \u201cIt\u2019s about being able to lock in with the people around you.\u201d<\/p>\n\n\n\n<p>Burke sees her role not as a coach pushing toward mastery, but as a guide helping students make sense of the music they care about\u2014to help people engage with the music they love in a deeper way. \u201cIt\u2019s not about impressing anyone,\u201d she says. \u201cIt\u2019s about connection.\u201d&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Syncopated Simplicity<\/h3>\n\n\n\n<p>In this excerpt from a lesson on fundamental rhythm approaches, Isa Burke demonstrates a syncopated strumming pattern on an open E chord, incorporating a suspended fourth (A) for added motion and color.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"255\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-BURKE.png?resize=1024%2C255&#038;ssl=1\" alt=\"\" class=\"wp-image-147812\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-BURKE.png?resize=1024%2C255&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-BURKE.png?resize=500%2C125&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-BURKE.png?resize=768%2C191&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-BURKE.png?resize=300%2C75&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-BURKE.png?w=1079&amp;ssl=1 1079w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\" style=\"margin-top:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60)\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"28\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&#038;ssl=1\" alt=\"\" class=\"wp-image-147815\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=500%2C14&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=768%2C21&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=300%2C8&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?w=1259&amp;ssl=1 1259w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"783\" height=\"1024\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Lisa_IMG_0041-e1746551178457-783x1024.jpg?resize=783%2C1024&#038;ssl=1\" alt=\"Lisa Liu, Photo: Joey Lusterman\" class=\"wp-image-147813\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Lisa_IMG_0041-e1746551178457.jpg?resize=783%2C1024&amp;ssl=1 783w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Lisa_IMG_0041-e1746551178457.jpg?resize=382%2C500&amp;ssl=1 382w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Lisa_IMG_0041-e1746551178457.jpg?resize=768%2C1005&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Lisa_IMG_0041-e1746551178457.jpg?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Lisa_IMG_0041-e1746551178457.jpg?resize=1174%2C1536&amp;ssl=1 1174w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Lisa_IMG_0041-e1746551178457.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 783px) 100vw, 783px\" \/><figcaption class=\"wp-element-caption\">Lisa Liu, Photo: Joey Lusterman<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Lisa Liu<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Practicing Slowly, Playing Boldly<\/h3>\n\n\n\n<p>As a musician, Lisa Liu has not followed a straight line. She started out studying classical piano, moved into acoustic guitar as a teen, and later performed in punk and experimental bands in New York. \u201cAfter ten years of playing in loud rock bands, I got tinnitus,\u201d she says. \u201cAt first it was devastating. But it brought me back to acoustic guitar and jazz, which I had always loved but never fully pursued.\u201d She has since released two jazz albums, <em><a href=\"https:\/\/amzn.to\/3SNiIf9\" target=\"_blank\" rel=\"noreferrer noopener\">Introducing Lisa Liu<\/a><\/em> and <em><a href=\"https:\/\/amzn.to\/3ZT75ao\" target=\"_blank\" rel=\"noreferrer noopener\">Temperance<\/a><\/em>.<\/p>\n\n\n\n<p>Currently based in San Francisco, Liu works with students of all levels, emphasizing clear practice habits and thoughtful pacing. She helps players focus on tone, timing, and musical intention rather than rushing through material. \u201cPractice the songs you love,\u201d she says. \u201cAnd slow it way down. There\u2019s no shame in that.\u201d<\/p>\n\n\n\n<p>Liu\u2019s approach to slowing down creates room for close listening and greater physical awareness. She encourages students to notice how their hands move, how a phrase feels under the fingers, and how each note responds to touch. Tone, in her view, isn\u2019t a surface detail but foundational. \u201cIt\u2019s really important to me that I get the tone I want from my fingers before I even plug into anything,\u201d she says.<\/p>\n\n\n\n<p>A phrase Liu often returns to comes from her first piano teacher: \u201cIf something doesn\u2019t click, break it down and do it three times in a row.\u201d It\u2019s a simple method, but it underpins much of her playing and teaching. \u201cThat\u2019s how I\u2019ve built everything in my playing,\u201d she says. \u201cAnd that\u2019s what I try to pass on.\u201d<\/p>\n\n\n\n<p>Liu also emphasizes the value of playing an instrument that feels inspiring and easy to connect with\u2014something that invites you to pick it up every day. For her, that\u2019s meant turning to a Santa Cruz OM for fingerstyle playing, a Larkspur Lutherie manouche for Gypsy jazz, and a Sadowsky archtop for electric ensemble work. \u201cFinding the right instrument is so important,\u201d she says. \u201cYou spend so much time with the instrument\u2014it becomes your teacher.\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Diminished Drama<\/h3>\n\n\n\n<p>In this excerpt from her lesson on diminished harmony, Lisa Liu shows how to use an F diminished seventh arpeggio (F\u2013Ab\u2013Cb\u2013Ebb) to outline an E7b9 chord (E\u2013Gb#\u2013B\u2013D\u2013F) and effectively create tension and release.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"213\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-LIU.png?resize=1024%2C213&#038;ssl=1\" alt=\"\" class=\"wp-image-147816\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-LIU.png?resize=1024%2C213&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-LIU.png?resize=500%2C104&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-LIU.png?resize=768%2C159&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-LIU.png?resize=300%2C62&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-LIU.png?w=1079&amp;ssl=1 1079w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\" style=\"margin-top:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60)\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"28\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&#038;ssl=1\" alt=\"\" class=\"wp-image-147815\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=500%2C14&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=768%2C21&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=300%2C8&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?w=1259&amp;ssl=1 1259w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Mamie-by-John-Rogers-leg-up.jpg?resize=768%2C1024&#038;ssl=1\" alt=\"Mamie Minch, Photo: John Rogers\" class=\"wp-image-147818\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Mamie-by-John-Rogers-leg-up.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Mamie-by-John-Rogers-leg-up.jpg?resize=375%2C500&amp;ssl=1 375w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Mamie-by-John-Rogers-leg-up.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Mamie-by-John-Rogers-leg-up.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Mamie-by-John-Rogers-leg-up.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Mamie Minch, Photo: John Rogers<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Mamie Minch<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Hands in the Blues<\/h3>\n\n\n\n<p>Mamie Minch (mamieminch.com) came to the blues early, drawn in by songs that sounded timeless and outside the mainstream. She says, \u201cI\u2019ve always loved songs that sound like they don\u2019t belong to any one era\u2014like they could have been written 80 years ago or yesterday.\u201d<\/p>\n\n\n\n<p>Minch started learning chords from her father and quickly took to fingerpicking. After moving to New York to study fine art, she found a community around early blues recordings and vintage instruments. \u201cThat\u2019s when I knew I had people,\u201d she says. \u201cThere was this scene of folks playing old songs on beat-up guitars, and I fit right in.\u201d<\/p>\n\n\n\n<p>Her knowledge of instruments deepened while working at RetroFret in Brooklyn. She started in sales, moved into repair, and eventually co-founded a restoration shop, Brooklyn Lutherie. \u201cI\u2019ve touched a lot of guitars,\u201d she says. \u201cAnd I still find them magical.\u201d<\/p>\n\n\n\n<p>Minch\u2019s teaching is shaped by the same attention she brings to instrument repair: a close understanding of how things fit together, how structure supports function, and how wear and quirks can make something more expressive, not less. As she\u2019s learned the inner workings of old guitars through years at the bench, she\u2019s spent just as long digging into the mechanics of music\u2014what gives a groove its shape, what makes a turnaround satisfying, how small choices affect feel. \u201cGuitars are just wood and glue\u2014but they\u2019re also vessels for people\u2019s dreams,\u201d she says.<\/p>\n\n\n\n<p>What Minch hopes to pass on is a sense that the guitar isn\u2019t reserved for experts or traditional learners\u2014it belongs to anyone curious enough to sit down with it. Her lessons often begin with simple patterns and gradually layer in nuance, encouraging students to trust their hands and ears. It\u2019s not about mastering a style so much as getting comfortable enough to make it your own. \u201cI want people to feel like this is an instrument that\u2019s for them,\u201d she says.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dropped-D Drive<\/h3>\n\n\n\n<p>Mamie Minch demystifies a down-home groove in dropped-D tuning\u2014a pattern that adds weight, swagger, and stylistic authenticity to acoustic blues playing.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"257\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MINCH.png?resize=1024%2C257&#038;ssl=1\" alt=\"\" class=\"wp-image-147819\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MINCH.png?resize=1024%2C257&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MINCH.png?resize=500%2C126&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MINCH.png?resize=768%2C193&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MINCH.png?resize=300%2C75&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MINCH.png?w=1079&amp;ssl=1 1079w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\" style=\"margin-top:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60)\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"28\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&#038;ssl=1\" alt=\"\" class=\"wp-image-147815\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=500%2C14&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=768%2C21&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=300%2C8&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?w=1259&amp;ssl=1 1259w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Sean-McGowan-photo-Joey-Lusterman.jpg?resize=1024%2C683&#038;ssl=1\" alt=\"Sean McGowan, Photo: Joey Lusterman\" class=\"wp-image-147820\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Sean-McGowan-photo-Joey-Lusterman.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Sean-McGowan-photo-Joey-Lusterman.jpg?resize=500%2C333&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Sean-McGowan-photo-Joey-Lusterman.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Sean-McGowan-photo-Joey-Lusterman.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Sean-McGowan-photo-Joey-Lusterman.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Sean McGowan, Photo: Joey Lusterman<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Sean McGowan<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">No Finish Line<\/h3>\n\n\n\n<p>Sean McGowan (seanmcgowanguitar.com) is a leading figure in the world of jazz guitar\u2014a composer, educator, and fingerstyle virtuoso whose work bridges tradition and innovation. For many years, he has served as music professor at the University of Colorado Denver, where he helps students develop the foundational skills needed across musical styles. His teaching emphasizes tone, timing, dynamics, and coordination. \u201cThe fundamentals are the same whether you\u2019re playing jazz, folk, or bluegrass,\u201d he says. \u201cWhen students get curious about a style or a player, then we dive deep.\u201d<\/p>\n\n\n\n<p>McGowan\u2019s lessons draw from a career shaped by both performance and scholarship. His discography includes acclaimed solo albums such as <em><a href=\"https:\/\/amzn.to\/43BFBII\" target=\"_blank\" rel=\"noreferrer noopener\">Portmanteau<\/a><\/em>, <em><a href=\"https:\/\/amzn.to\/45MR2i8\" target=\"_blank\" rel=\"noreferrer noopener\">Union Station<\/a><\/em>, and <em><a href=\"https:\/\/amzn.to\/45iwQ7G\" target=\"_blank\" rel=\"noreferrer noopener\">Sphere: The Music of Thelonious Monk<\/a><\/em>, each reflecting his interest in arrangement and personal interpretation. His instructional books include <em><a href=\"https:\/\/store.acousticguitar.com\/products\/the-acoustic-jazz-guitarist\" target=\"_blank\" rel=\"noreferrer noopener\">The Acoustic Jazz Guitarist<\/a><\/em> and <em><a href=\"https:\/\/store.acousticguitar.com\/collections\/new\/products\/the-holistic-guitarist\" target=\"_blank\" rel=\"noreferrer noopener\">The Holistic Guitarist: A Complete Guide to Musical Well-Being<\/a><\/em>, which blends technique with insights on long-term creative and physical health. \u201cI try to pack a lot into each lesson,\u201d he says, \u201cbut I also try to kindle someone\u2019s love of playing.\u201d<\/p>\n\n\n\n<p>McGowan is also a longtime contributor to <em>AG<\/em>, where he has written extensively on jazz concepts and techniques. His involvement in educational platforms such as TrueFire and ArtistWorks has also allowed him to reach students far beyond the classroom. He values the flexibility of online instruction, especially for those balancing learning with other parts of life. \u201cYou can go at your own pace, revisit lessons, create your own rhythm of practice,\u201d he says. \u201cIt\u2019s low pressure, but potentially really deep.\u201d<\/p>\n\n\n\n<p>At the heart of McGowan\u2019s teaching is a mindset of continuous learning. \u201cThere\u2019s no finish line,\u201d he says. \u201cThe more you learn, the more there is to learn. That\u2019s what keeps it exciting.\u201d He aims to leave students energized. \u201cMy goal is that someone finishes a lesson and wants to pick up the guitar again,\u201d he says.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Seventh Sense<\/h3>\n\n\n\n<p>In this excerpt, Sean McGowan walks through the diatonic seventh chords in the key of F major, illustrating how to visualize harmony across two different string sets.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"248\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MCGOWAN.png?resize=1024%2C248&#038;ssl=1\" alt=\"\" class=\"wp-image-147821\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MCGOWAN.png?resize=1024%2C248&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MCGOWAN.png?resize=500%2C121&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MCGOWAN.png?resize=768%2C186&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MCGOWAN.png?resize=300%2C73&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-MCGOWAN.png?w=1079&amp;ssl=1 1079w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\" style=\"margin-top:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60)\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"28\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&#038;ssl=1\" alt=\"\" class=\"wp-image-147815\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=1024%2C28&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=500%2C14&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=768%2C21&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?resize=300%2C8&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/dashed-line.png?w=1259&amp;ssl=1 1259w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Thu-Tran-2U0A4288.jpgFinal-Tatyana-Zadorin-Photography.jpg?resize=1024%2C683&#038;ssl=1\" alt=\"Thu Tran, Tatyana Zadorin Photography\" class=\"wp-image-147822\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Thu-Tran-2U0A4288.jpgFinal-Tatyana-Zadorin-Photography.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Thu-Tran-2U0A4288.jpgFinal-Tatyana-Zadorin-Photography.jpg?resize=500%2C333&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Thu-Tran-2U0A4288.jpgFinal-Tatyana-Zadorin-Photography.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Thu-Tran-2U0A4288.jpgFinal-Tatyana-Zadorin-Photography.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/Thu-Tran-2U0A4288.jpgFinal-Tatyana-Zadorin-Photography.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Thu Tran, Tatyana Zadorin Photography<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Thu Tran<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Curiosity Over Correctness<\/h3>\n\n\n\n<p>Thu Tran (thesingerandthesongwriter.com) didn\u2019t come up through formal training. His first guitar\u2014\u201ca busted Yamaha with no strings,\u201d as he recalls\u2014was a gift from a friend, and just getting it into playing shape was its own kind of lesson. He strung it up, learned a few chords, and wrote a song for a high school class\u2014a beginning that set the tone for his self-directed, improvisational approach to music.<\/p>\n\n\n\n<p>Based in Oakland, California, Tran has followed an unconventional path shaped by listening, imitation, and a persistent curiosity. That same sensibility informs his work with the Singer and the Songwriter, the project he co-founded with vocalist Rachel Garcia. The duo\u2019s music resists easy categorization, balancing spare, melodic arrangements with a quiet attention to lyrical detail, and has found an audience drawn to its understated clarity.<\/p>\n\n\n\n<p>Tran\u2019s teaching reflects the eclectic, intuitive nature of his musical life. Rather than following a set curriculum, he encourages students to stay open and exploratory. \u201cThe guitar\u2019s a map with lots of little side paths,\u201d he says. \u201cThere\u2019s no one right way to play.\u201d He also views mistakes as essential to growth. \u201cI think of them as a path toward precision,\u201d he explains\u2014not something to correct too quickly, but a chance to slow down and learn what they might be pointing toward.<\/p>\n\n\n\n<p>Mindset plays a big role, too. On Tran\u2019s pedalboard is a strip of tape that reads \u201cPlay boring,\u201d which he leans on frequently. \u201cIt reminds me not to perform. When I try to sound impressive, I clamp up. When I just play something simple and true, the music starts to flow.\u201d<\/p>\n\n\n\n<p>Since the pandemic, Tran has been teaching online, working with students of all levels in a welcoming, low-pressure environment. \u201cWhatever your level, whatever your goals\u2014there\u2019s room for you,\u201d he says.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Feel-First Picking<\/h2>\n\n\n\n<p>Instead of teaching Travis picking as a rigid pattern, Thu Tran encourages students to vocalize the rhythm and assign picking fingers organically\u2014an approach that makes the groove feel natural from the start.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"291\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-TRAN.png?resize=1024%2C291&#038;ssl=1\" alt=\"\" class=\"wp-image-147823\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-TRAN.png?resize=1024%2C291&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-TRAN.png?resize=500%2C142&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-TRAN.png?resize=768%2C219&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-TRAN.png?resize=300%2C85&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/AG353-TEACHING-ARTISTS-TRAN.png?w=1079&amp;ssl=1 1079w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div>\n<a href=\"https:\/\/store.acousticguitar.com\/products\/no-353-july-august-2025\" name=\"magazine\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"width: 150px; height: 198px; margin: 0px 20px 10px 0px;\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/001_353_Cover-150px.jpg?w=1290&#038;ssl=1\" alt=\"Acoustic Guitar magazine cover for issue 350\"><\/a>\n<p style=\"font-family: sans-serif; margin: 0px 0px 15px 0px;\">This article originally appeared in the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-353-july-august-2025\">July\/August 2025<\/a> issue of <em>Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Meet the team behind Acoustic Guitar&#8217;s new Teaching Artists series.<\/p>\n","protected":false},"author":24,"featured_media":147842,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Meet the team behind Acoustic Guitar's new Teaching Artists series.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[1155],"tags":[1968],"ppma_author":[1541],"class_list":["post-147806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guitar-talk","tag-july-august-2025"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/05\/teaching-artists.jpg?fit=1200%2C800&ssl=1","jetpack_sharing_enabled":true,"authors":[{"term_id":1541,"user_id":24,"is_guest":0,"slug":"adam-perlmutterstringletter-com","display_name":"Adam Perlmutter","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/Adam-Perlmutter.jpg","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/Adam-Perlmutter.jpg"},"author_category":"","user_url":"","last_name":"Perlmutter","first_name":"Adam","job_title":"","description":"Adam Perlmutter holds a bachelor of music degree from the University of North Carolina-Greensboro and a master's degree in Contemporary Improvisation from the New England Conservatory. He is the editor of <i>Acoustic Guitar<\/i>."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/147806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=147806"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/147806\/revisions"}],"predecessor-version":[{"id":148043,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/147806\/revisions\/148043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/147842"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=147806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=147806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=147806"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=147806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}