{"id":146876,"date":"2025-01-29T06:00:00","date_gmt":"2025-01-29T14:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=146876"},"modified":"2025-01-29T08:49:15","modified_gmt":"2025-01-29T16:49:15","slug":"with-acadia-yasmin-williams-explores-the-intersection-of-intimate-fingerstyle-and-expansive-collaboration","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/with-acadia-yasmin-williams-explores-the-intersection-of-intimate-fingerstyle-and-expansive-collaboration\/","title":{"rendered":"With \u2018Acadia,\u2019 Yasmin Williams Explores the Intersection of Intimate Fingerstyle and Expansive Collaboration"},"content":{"rendered":"\n<p>Yasmin Williams\u2019 <em>Acadia<\/em> takes its name from the concept of an idyllic, fertile place, a metaphor for the creativity and collaboration that permeate her first release on Nonesuch Records. Drawing on instruments ranging from guitars and banjos to fiddle, synth bass, and even tap shoes, Williams crafts a soundscape that is both intimate and expansive, its layered sonic palette enriched by guests like saxophonist Immanuel Wilkins, singer Aoife O\u2019Donovan, and fellow guitar virtuoso Kaki King. Although it hardly departs from the sound she\u2019s most associated with\u2014\u201cmodern, percussive fingerstyle techniques with a laid-back compositional style,\u201d according to <a href=\"https:\/\/yasminwilliams.bandcamp.com\/album\/acadia\" target=\"_blank\" rel=\"noreferrer noopener\">Bandcamp<\/a>\u2014Williams\u2019 third effort strikes a balance between contemplation and collaboration that keeps things interesting.<\/p>\n\n\n\n<p>At the heart of the nine-track album is Williams\u2019 personal journey, with each composition reflecting transformative moments in her life. <em><a href=\"https:\/\/amzn.to\/4hwAEov\" target=\"_blank\" rel=\"noreferrer noopener\">Acadia<\/a><\/em> opens with \u201cCliffwalk,\u201d featuring Black folk scholar Dom Flemons on rhythm bones; inspired by her experience performing at the Newport Folk Festival, the instrumental captures the vulnerability and triumph of realizing her musical identity. The harmonics-rich intro to the Kaki King collaboration, \u201cHarvest,\u201d leads to a beautiful, multitracked performance by Moses Sumney violinist Darian Donovan Thomas. \u201cVirga,\u201d a standout track featuring experimental artist Rich Ruth\u2019s atmospheric synths and the dreamy harmonies of vocal quartet Darlingside, serves as a metaphor for the challenges and beauty of an artist\u2019s life, drawing listeners into its thoughtful mood. (It\u2019s also Williams\u2019 first-ever release with lyrics.)&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Yasmin Williams - Sisters (Official Audio)\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/EBZSIzG1cjQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Similarly, \u201cSisters,\u201d the album\u2019s longest track, is an evocative, nearly seven-minute composition that recalls Williams\u2019 wonder-struck experience of the small Oregon town of the same name and performing at its Sisters Folk Festival. In \u201cDream Lake,\u201d Williams employs spacey effects and overdriven electric guitar (along with the buoyant drumming of Malick Koly) to conjure the floating feeling of achieving career benchmarks while striving to stay grounded. Meanwhile, \u201cDawning\u201d (featuring O\u2019Donovan, pianist Kafari, and dancer Nic Gareiss) and the bluegrass-flavored \u201cHummingbird\u201d (with banjo-and-fiddle duo Allison de Groot and Tatiana Hargreaves) celebrate beginnings, weaving intricate melodies with rhythmic nuances that echo Williams\u2019 diverse musical influences.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/amzn.to\/4hwAEov\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/album-cover-extralarge_1721829432870.jpg?resize=1024%2C1024&#038;ssl=1\" alt=\"Acadia, Yasmin Williams (Nonesuch Records)\" class=\"wp-image-146880\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/album-cover-extralarge_1721829432870.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/album-cover-extralarge_1721829432870.jpg?resize=500%2C500&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/album-cover-extralarge_1721829432870.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/album-cover-extralarge_1721829432870.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/album-cover-extralarge_1721829432870.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/album-cover-extralarge_1721829432870.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Acadia<\/em>, Yasmin Williams (Nonesuch Records)<\/figcaption><\/figure>\n\n\n\n<p>Perhaps it\u2019s no surprise that an album placing such a premium on exploration ends with two tracks that diverge from its familiar sounds. Berlin-based drummer\/producer Magro puts Williams\u2019 deftly executed fingerpicking in a fresh context by adding a sexy synth bass line and hip-hop boom-bap to \u201cNectar,\u201d showcasing another side of her artistry and hinting at new directions ahead. The finale, \u201cMalamu,\u201d brings together Williams\u2019 love for rock, funk, and folk, blending Wilkins\u2019 soaring saxophone lines, the deep groove of drum wizard Marcus Gilmore, and intricate electric guitar by the maestro herself. If you\u2019ve never heard Williams profess her love of Jimi Hendrix and Nirvana, here\u2019s your chance.<\/p>\n\n\n\n<p>In a very real way, \u201cMalamu\u201d encapsulates the 27-year-old Virginia native\u2019s artistic ethos: an embrace of the past, a celebration of the present, and a nod to roads yet unexplored.&nbsp;<\/p>\n\n\n\n<p>Taken as a whole, <em>Acadia<\/em> is a celebration of connection\u2014between genres, cultures, and people\u2014and a testament to Williams\u2019 vision of music in which fruitful collaboration and deep reflection enhance one another. <\/p>\n\n\n\n<div>\n<a href=\"https:\/\/store.acousticguitar.com\/products\/no-351-march-april-2025\" name=\"magazine\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"width: 150px; height: 198px; margin: 0px 20px 10px 0px;\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/001_351_Cover-150px.jpg?w=1290&#038;ssl=1\" alt=\"Acoustic Guitar magazine cover for issue 350\"><\/a>\n<p style=\"font-family: sans-serif; margin: 0px 0px 15px 0px;\">This article originally appeared in the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-351-march-april-2025\">March\/April 2025<\/a> issue of <em>Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>\n\n\n\n<p>Watch Williams perform two two songs from\u00a0<em>Acadia<\/em>, \u201cCliffwalk\u201d and \u201cHummingbird,\u201d and an old favorite, \u201cJuvenescence\u201d (from her 2021 release,\u00a0<a href=\"https:\/\/amzn.to\/42jMT3n\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Urban Driftwood<\/em><\/a>). Williams doesn\u2019t\u00a0<em>just\u00a0<\/em>play fast all over the neck\u2014her spirited fingerstyle is dynamic, exuberant, and at times exhilarating.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Yasmin Williams\u2019 Spirited Solo Guitar | Acoustic Guitar Sessions\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/6F70TDhycfs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Taken as a whole, Williams\u2019 new album is a celebration of connection\u2014between genres, cultures, and people.<\/p>\n","protected":false},"author":5,"featured_media":146879,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Taken as a whole, Williams\u2019 new album is a celebration of connection\u2014between genres, cultures, and people.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[885],"tags":[1963],"ppma_author":[1561],"class_list":["post-146876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-march-april-2025"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2025\/01\/Yasmin-Williams-02-Credit-Ebru-Yildiz-scaled.jpg?fit=1920%2C1280&ssl=1","jetpack_sharing_enabled":true,"authors":[{"term_id":1561,"user_id":0,"is_guest":1,"slug":"e-e-bradman","display_name":"E.E. Bradman","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/E.E.-Bradman-2020-scaled.jpeg","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/E.E.-Bradman-2020-scaled.jpeg"},"author_category":"","user_url":"https:\/\/eltonsounds.com\/bass\/","last_name":"","first_name":"","job_title":"","description":"E.E. Bradman is a word nerd and music journalist, a Grammy-nominated bassist, a musical midwife for childbirth and the dying, and an award-winning sound designer\/composer."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/146876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=146876"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/146876\/revisions"}],"predecessor-version":[{"id":147117,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/146876\/revisions\/147117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/146879"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=146876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=146876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=146876"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=146876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}